Discography: Bootlegs
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PIXIES BOOTLEGS TOP TEN
- Rough Diamonds
- Give Me Ecstasy
- B-side File 3rd Edition
- The Fallen Shelter
- Live In Vienna
- The Dream Is Over
- Timeless Stars
- Gone To Heaven
- Come On Pilgrim/Surfer Rosa Demo Tapes
(bootleg cassettes)
- Here We Come
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Rough Diamonds (bootleg CD)
Blue Moon Records (BMCD32)
Europe
- Hey
- Levitate Me
- Wild Honey Pie
- Caribou
- In Heaven
- Dead
- Tame
- There Goes My Gun
- Manta Ray
- Down To The Well
- Into The White
- Wave Of Mutilation
- Monkey Gone To Heaven
- Allison
- Wave Of Mutilation
- Ana
- Palace Of The Brine
- Letter To Memphis
- Motorway To Roswell
- Subbacultcha
- Build High
- I Can't Forget
- Born In Chicago
- Velouria
- Hang On To Your Ego
- Is She Weird?
- Gigantic
- River Euphrates
- Tame
- Down To The Well
- Rock A My Soul
Where and when: all songs are STUDIO versions
1-5: Maida Vale, Studio 4, 3/5/88 (4 tracks on Timeless Stars & B-side File)
6-9: Hippodrome Studio, London, 9/10/88
10-12: Maida Vale Studio 3, London, 16/4/89
13-16: Maida Vale Studio 5, London, 18/8/90
17-20: Maida Vale Studio 3, London, 23/6/91
21-22: Master Control Studio, Burbank, 9/91 (L. Cohen tribute version for 22)
23: Recording Co. Studio, Chicago, 7/90 (Rubaiyat compilation version)
24-26: Portastudio demo, Los Angeles, 6/90
27-28: Blackwing Studio, London, 2/5/88 (Gigantic ep versions)
29-31: Fort Apache Studio, Boston, 3/87
Length: 73:33 (31 songs)
Sound: from A to A+
Definitely the best existing Pixies boot!
31 tracks, all studio versions, among which:
- 5 only can be found on officially released CDs (one very rare)
- 9 only can more or less easily be found on other boots, but usually
with a worse sounding quality!
- 17 are exclusive to this CD!
Certainly all BBC sessions are there (the first 20 tracks!).
The overall sound quality is excellent, and many of the alternate
versions are quite exceptional, e.g. Into The White, a version of Wave
Of Mutilation between the original and the UK Surf ones, two early
versions of Down To The Well, a crazy version of There Goes My Gun, a
rough version of Is She Weird?, and many others.
RD is also the only record to feature a Pixies version of Hang On To
Your Ego. Frank Black has mentioned this BBC session as a first, weak
attempt to make the Beach Boys cover. Personnally, I prefer the Pixies
version to the Frank Black one: it is weirder.
Give Me Ecstasy (bootleg CD)
Psycho Studios Ltd. (Psycho 02)
USA/Europe (?)
- Tame
- Debaser
- I Bleed
- Wave of Mutilation
- Crackity Jones
- Bailey's Walk
- Mr. Grieves
- Dead
- Gouge Away
- Manta Ray
- Santo
- No. 13 Baby
- La La Love You
- There Goes My Gun
- Silver
- Monkey Gone To Heaven
- Into The White
- Wave of Mutilation
- No. 13 Baby
- Dead
- Crackity Jones
- River Euphrates
- There Goes My Gun
- Monkey Gone To Heaven
- Isla De Encanta
- Gigantic
- Hey
- Caribou
- Debaser
Where and when:
1-16: Studios (Doolittle Demos)
17-29: Live in Liverpool (May 3rd 1989)
Length: ~72 min. (29 songs)
Sound: A/A+ (for both studios and live versions)
Two excellent boots into one: the first half (16 tracks) consists of
Doolittle demos, whereas the second half (13 tracks) was recorded live
in Liverpool (May 3rd 1989).
The overall sound quality is excellent.
Doolittle demos do not contain otherwise unreleased songs (the pseudo
"unknown" tracks on the CD insert are actually B-sides, cf. detailed
information). However, all of the tracks (except these B-sides!) are
different from the versions officially released.
Some songs are quite different from the known versions (just listen to
the versions of Debaser or La La Love You!), even though most of them
already have their final shape.
The Liverpool gig is quite good (and this is the only boot I know to
feature it). An interesting thing is that Black Francis speaks quite a
lot, when compared to usual gigs.
B-side File 3rd Edition (bootleg CD)
-
Down To The Well
- Rock My Soul
- Gigantic (12 " version)
- Vamos (live)
- Heaven (live)
- Wave of Mutilation (UK Surf)
- Into the White
- Bailey's Walk
- Manta Ray
- Weird At My School
- Dancing the Manta Ray
- Make Believe
- I've Been Waiting For You
- The Thing
- Velvety Instrumental Version
- Winterlong
- Santo
- Born In Chicago
- Theme From Narc
- Build High
- Evil Hearted You
- Planet of Sound (live)
- Tame (live)
- Letter to Memphis (instrumental)
- Hey (Peel session)
- In Heaven (Peel session)
- Wild Honey Pie (Peel session)
- Caribou (Peel session)
- I Can't Forget
Length: 70:40 (29 songs)
Sound: A+ (except Peel sessions: B+)
Note: 29 is not listed on the insert
2nd Edition = 3rd Edition - (18, 29)
B-Side File = 2nd Edition - (3, 4, 5)
The B-side File is certainly the most famous Pixies boot.
There have been several editions of it, each new one extending the
former with new tracks. The First B-Side File had 24 tracks, and the
last one for now (3rd edition) has 29 of them (including a hidden
track, which is I Can't Forget, the L. Cohen cover).
What does it contain? Nearly all EP B-sides (there is still one
missing: the alternate version of River Euphrates on Gigantic EP),
several other rare official tracks (Rock A My Soul, Down To The Well
from 1987, I Can't Forget, Born In Chicago), and 4 BBC sessions. All
the non-EP tracks are also featured on Rough Diamonds.
Official tracks originally on CD just sound as if the boot was a
regular release. Sound quality for other tracks is not as good as on
Rough Diamonds: there is a hiss in Down To The Well (transferred with
Rock A My Soul from an original 7"), and the BBC sessions, though not
bad, do not sound that good.
The B-side file is very interesting for those who don't want to buy all
Pixies EPs/compilations. Another interest (even for those who have the
B-sides) is that they are combined into a single CD. Non American
purchasers will have the opportunity to listen to Motorway To Roswell
(Instrumental), which was US-only. American purchasers will have the
opportunity to listen to 75% of the tracks from Gigantic EP (not
released in the USA).
Note: The 3rd edition's insert has a nice photograph of the group inside.
The Fallen Shelter (bootleg cass.)
- Holiday Song
- I'm Amazed
- Rock A My Soul
- Isla De Encanta
- Caribou
- Broken Face
- Subbacultcha
- Build High
- Ed Is Dead
- Nimrod's Son
- Down To The Well
- I've Been Tired
- Boom Chick A Boom
- Vamos
- Heaven
- Interview
Where and when: WJUL studios (University of Lowell),
December 1986
Length: ~42min.
Sound: B/B+
Fallen Shelter is an exceptional document on the Pixies: this is a radio
broadcast from December 1986.
The Pixies are a brand new group, which is
desperately looking for a label. Their manager at that time is a
certain "Ann", and the singer still presents himself as "Charles
Thompson".
The recording is composed of songs performed live in the WJUL studios
(University of Lowell), and is followed by a short interview.
Fallen Shelter boot seems to originally be a vynil record. Unfortunately, only
tapes seem to circulate, which are duplicated one from another in an
endless process. The sound quality is quite low, and a funny thing is
that all the copies I have heard have the same problem: this is as if
the source record had been played too fast, which makes the rythm a
little bit fast, and voices a little bit high.
Besides its historical importance, FS has another interest: a Pixies
song which cannot be found anywhere else. A speculated title for it is
Boom Chick A Boom.
Live In Vienna (bootleg CD)
Oblivion
- Bone Machine
- Cactus
- Caribou
- Crackity Jones
- Dead
- Debaser
- Gigantic
- Gouge Away
- Hey
- The Holiday Song
- I Bleed
- Isla De Encanta
- Levitate Me
- Mr. Grieves
- Monkey Gone To Heaven
- Nimrod's Son
- No. 13 Baby
- River Euphrates
- Tame
- There Goes My Gun
- Vamos
- Wave Of Mutilation
- Where Is My Mind?
Where and when: Vienna, June 12th, 1989
Length: 62:42 (23 songs)
Sound: A/A+
The first 4 boots mainly dealt with studio tracks. What about real live
performances?
Live In Vienna is an excellent one. It features a whole set from the
Doolittle era concerts (with the set list in alphabetical order!).
Good live boots from this era are the easiest to find, but Vienna
uniquely combines both quality and completeness.
The Dream Is Over (bootleg CD)
Frank Black
a.k.a Black Francis
KTS156
- Tame
- Cactus
- Tony's Theme
- The Holiday Song
- Gouge Away
- Monkey Gone To Heaven
- Weird At My School
- Hang Wire
- No. 13 Baby
- Dead
- Wave Of Mutilation
- Broken Face
- Into The White
- I'm Amazed
- The Happening
- Manta Ray
- I Bleed
- Blown Away
- Crackity Jones
- Is She Weird?
- Nimrod's Son
- Ed Is Dead
- Levitate Me
- River Euphrates
- Dancing The Manta Ray
Where and when: USA, 1992 (?)
Length: 57:48 (24 songs)
Sound: B+/A (audience)
Pixies songs performed by Black Francis solo (before Pixies split).
It is claimed to be recorded in the USA in 1992, but was more certainly
recorded after Doolittle tour, in 1990, either in Europe or in the
USA.
This is really an interesting boot, which obviously sounds differently
from Pixies or Frank Black live performances. Black Francis does not
make sensitive acoustic renditions of his songs, but plays his electric
guitar, and flail and scream as if the three other Pixies were backing
him up.
This is an audience recording, but a good quality one.
Timeless Stars (bootleg CD)
Speedball (SBC011)
Europe
-
Into the white
- Wave of mutilation
- There goes my gun
- Monkey gone to heaven
- Debaser
- Isla de enchanta
- Bone machine
- Cactus
- Gigantic
- Gouge away
- Tame
- Down to the well
- Rock a my soul
- Hey
- Hey
- In heaven
- Wild honey pie
- Caribou
Where and when:
1-11: Live Newcastle Poly May 89 (A) (28:19)
12-13: Previously released tracks on "Sounds Waves 3" EP (A+) (3:54)
14: Live town & country May 1st 88, released on Sounds Machine EP (A) (3:12)
15-18: First John Peel session (B+) (10:01)
Length: 45:28 (18 songs)
This one includes live tracks recorded at the Newcastle Poly in May
1989. Therefore yet another Doolittle era boot. The sound is very
good.
Additional tracks include BBC sessions (those also available on the
B-Side File and on Rough Diamonds), and the Pixies tracks from the two
Sounds mag EPs. If those from Sounds Waves 3 are quite common (Rough
Diamonds, B-Side File), TS is the only boot to feature the track from
Sounds Machine 7 " (Hey (live)).
Gone To Heaven (bootleg CD)
The Swingin' Pig Records (TSP-CD-163)
Luxemburg
- Rock Music
- Cecilia Ann
- Gouge Away
- Motorway To Roswell
- Alec Eiffel
- Velouria
- Crackity Jones
- Distance Equals Rate Times Time
- Manta Ray
- Dancing The Manta Ray
- Lovely Day
- Subbacultcha
- Letter To Memphis
- Palace Of The Brine
- Ed Is Dead
- Wave Of Mutilation
- Monkey Gone To Heaven
- Bird Dream Of The Olympus Mons
Where and when: Los Angeles, december 22, 1991
Length: 48:42 (18 songs)
Sound: A/A+ (FM broadcast)
A Trompe Le Monde era live boot.
The sound is really excellent, and the concert has something special:
keyboards, played by Eric Drew Feldman. This gives some very
interesting interpretations, more especially for Gouge Away.
The track listing is quite complementary to that of Subbacultcha,
another interesting boot from the same period.
Come On Pilgrim/Surfer Rosa Demo Tapes (bootleg cassettes)
- Build High
- Down to the Well
- Here Comes Your Man
- Ed is Dead
- Brick is Red
- Weird At My School
- Rock A My Soul
- I'm Amazed
When: 1987 or 1988
Sound: C+/B
- Levitate Me
- The Holiday Song
- I've Been Tired
- Break My Body
- Down to the Well
- Rock A My Soul
- I'm Amazed
- Build High
- In Heaven
- Caribou
- Here Comes Your Man
- Subbacultcha
- Vamos
- Broken Face
- Nimrod's Son
- Isla de Encanta
- Ed is Dead
When and where: Fort Apache studios, Boston, 1986 or 1987
Sound: B+
Notes: songs from Come On Pilgrim are identical to album versions. Down
To The Well and Rock A My Soul are the versions from Sounds Wave 3 EP.
There are obviously several tapes from various sessions. I never heard
about an LP or CD version.
Depending on the sessions, the sound quality ranges from low to OK. It
is never really good.
Some of the highlights are the demo from Brick Is Red, with additional
lyrics, and the very early version of Subbacultcha, which actually
combines it with future Distance Equals Rate Times Time.
Here We Come (bootleg CD)
MLP (MLP 1, 1992)
- Velvety Instrumental Version
- Brick Is Red (instrumental)
- Oh My Golly (instrumental)
- Ana
- Cecilia Ann
- Levitate Me
- Stormy Weather
- All Over The World
- Extinction
- Distance Equals Rate Times Time
- Subbacultcha
- Here Comes Your Man
- Dead
- Manta Ray
- Head On
- U-Mass
- Motorway To Roswell
- Letter To Memphis
- Palace Of The Brine
- Planet Of Sound
- Bird Dream Of The Olympus Mons
- Trompe Le Monde
- Is She Weird
- Caribou
- The Holiday Song
- Weird At My School
- Nimrod's Son
Where and when: New York, February 5th, 1992
Length: 70:51 (27 songs)
Sound: B+ (audience)
There are some other TLM era boots with a much better sound quality
than Here We Come (e.g. Subbacultcha).
Here We Come (New York, February 5th, 1992) is interesting because it
features songs, which were very seldomly played by the Pixies on stage,
such as Brick Is Red (an instrumental version here), Trompe Le Monde,
or Oh My Golly (instrumental also).
QUICKIES ON OTHER BOOTS (CDs)
SUBBACULTCHA (TLM era gig)
Live at Leysin Rock Festival (July 11th 1991)
Excellent boot.
ALL OVER THE WORLD (Doolittle era gigs)
Live at Newcastle Polytechnic (same as Timeless Stars), Pink Pop
Festival (15 May 1989, average quality), and Cabaret Metro, Chicago
(Pixies Live promo).
Very good boot (but somehow redundant).
PIXIES VELOURIA LIVE (Doolittle and Bossanova era gigs)
Live at Cabaret Metro, Chicago (Pixies Live promo), and in Utrecht
(September 25, 1991)
Excellent, but short boot (41 min.)
ZURICH 1989 (Doolittle era gig)
Live at Rote Fabrik, Zurich, June 10, 1989.
Set list is a subset of Live In Vienna, and quality is not as good.
GIGANTIC (BBC sessions + Doolittle era gigs)
Low quality. Most tracks appear on other boots.
BLACK HUNTER (Doolittle era gig)
Apparently, a good part of the Chicago gig. Maybe other source(s).
Good quality.
PIXIES LIVE (BBC tracks + Doolittle era gig)
Cabaret Metro, Chicago (Pixies Live promo), + 3 excellent quality BBC
sessions (also on Rough Diamonds)
Excellent, but now redundant boot. The insert is a copy of the US
Pixies Live promo sleeve.
BONE MACHINE (Doolittle era gig, alphabetical order)
Good one, but Live In Vienna is better.
PLANET OF SOUND (double CD, TLM era gig)
Could have been an interesting boot, but relatively poor audience recording.
SITUATION RED (TLM era gig)
Live in Florida, 1992.
Low quality. To be avoided.
JAAP EDENHALL (TLM era gig)
Live at Jaap Edenhall, July 13, 1991.
Not that good (audience recording)
THIS WAS MY LIFE (Doolittle era gig)
Live in New York, July 31, 1989.
Good, but short one (45 min.)
Last Updated 12-11-95
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